Maddie Kertay, and Cheryl Sleboda encouraged me to submit classes for Fall Quilt Market. After some thought I submitted three classes, and two are accepted. First up on Saturday October 28 is Creating Consumer Confidence—Machine Sales; the second is Sunday October 29th Creating Confidence in the In-Store Talent. Having worked in quilt shops on and off for the last 9 years I’ve watched, experienced, and listened to the needs of the shops, owners, employees, and the customer. Each is important, playing a key role in the success of the shop. Thank you to Quilts, Inc for seeing the value in these classes, and to Maddie and Cheryl for encouraging me to submit these classes. Maddie, will be teaching as will Ebony Love, Pepper Cory, Tracy Mooney, Dave Gilleland, Teresa Coates and so many great people. (Some will be Schoolhouse presentations or Take & Teach classes.) I look forward to seeing you there.
Debby has shared, and we’ve talked about 1000 Postcards for Peace. I have the first one made, and decided about fifteen minutes ago, to make two more in the next few days. I don’t yet know where they are going, however I’ll be making postcards. The why isn’t as important as there are things in life that call for a moment of something (hopefully) good. Please feel free to join us in this effort.
Last week I started this Opal Dahlia designed by Jeanie Sumrall-Ajero by Hoffman Fabrics. After several false quilting starts, including thinking I wanted to stitch an overall meander, I settled on this:
It took a little bit to get here, sometimes ya know that something simple is good, but what that simple is isn’t quite clear. With a little focus this will be finished tomorrow before I focus on a few other things.
seven weeks ago I participated in Cheryl Sleboda’s Spring Clean Your Studio Blog Hop. Rearranging, tidying up and making the space much easier to function in the room.
One of the goals was to give myself access to the window. I’m pretty sure I’ve mentioned that I’m short, and therefore have a limited reach. When the weather is lovely having the window open while I’m stitching. Having the option of the a/c is such a good thing. The problem was one of the tables was right in front of the window, and while in the process one of the Singer’s ended up in front of the window. Not quite the intention but clearly needed to think this through a bit more.
Problem solved it moved to another location allowing me to move the radio, and a table lamp to the top of the closed sewing machine.
My cutting table is now to my right, which somehow gives me great pleasure. Once I have other things in situ there will be pictures. Right now it’s in a bleeping, unsightly mess that is still giving me oggida.
Books, paper (class handouts etc), and a few other things are going to my office, two floors down. It’s a bit of a pain as I work however the end result will be good. I’m going to take a very hard look at what I have in a couple of places to keep or let go. Thankfully I have a couple of guilds to share fabric, patterns, and other stuff with.
Watch Instagram to see the quilt I’m working on today, a digital print from Hoffman by Jeanie Sumrall-Ajero. This is so dang pretty.
Debby Brown has a Handi Quilter Avante in her studio, and on occasion when needed she lets me use it to baste my larger quilts. Yesterday I basted two quilts Arsenic & Old Lace pieced by Keith Dommer and Supernova in Chartreuse designed by none other than Jeanie Sumrall-Ajero. A&O L has lived in my studio for a while as life has happened. As I basted yesterday thoughts of quilting came to mind – which is such a good thing oh the thinks you think when you think quilting. Keith uses elements including hexagons, circles, and old linen, well leaving me with great blank space to work in. When he sent the quilt I looked up the color of arsenic gray, yellow, and black all come up and then there are shades of blue and acid green leaving me a lot of room for interpretation here.
Now when I get to Supernova I don’t have a particular plan in mind however as I write decision made, whew. I need more fabric. She says, shocking no one reading this missive.
Kindness and gratitude matter. Both are a balm to wounded souls. They are a cup of cold water to someone who is in need of refreshment. A cup of coffee with and a good chat with good friend. Lemonade on a hot summer day. These things are all refreshing.
Sometimes we have challenges in life, challenges in our communities. Friends have troubles. Things are going all icky in the greater world and the events trigger awful memories. Things at work go all haywire in so many ways and we need a word of encouragement and support. We might see all this happening and want to do something about it. We may not be able to fix it, but we can be there through our words.
While I was at Debby’s we had a facebook live with Joliene Williams. Joliene supplied me with Girl Scout Cookies. First I’ve had in a looooooooooooooong time.
Debby Brown and I are starting a project called 1000 postcards for peace.
In the next week or so I’m starting a facebook page that will be a place to offer ideas, share experiences and support those in our life who might need a little support or a little something because we can. I’ll post again here once the page is up, and directions are available.
Who knew the proper way to use a seam ripper? I sure didn’t. Pam Damour, the Decorating Diva and BERNINA Ambassador shows proper technique and at the same time shows how to splice cording for home decorating projects. I’d always wondered how that happened and now get why there is that need for at least 1/8th yard extra when purchasing cording is essential, allowing for a really good, full join. The Aha! moment was priceless, I think you could read it right across my face. Thanks Pam for sharing this.
I’ve always loved my BERNINA seam ripper because it’s sharp and has a really fine tip. I’m loving my Alex Anderson 4-n-1 Essential Tool even more. It’s the same BERNINA seam ripper, a stiletto, pressing tool and pointer all in one. I like it even more because it’s a good feel in the hand. Being wood it’s kind of earthy.
To me as a quilter it’s important to have a good seam ripper for taking out machine quilting or wonky seams. It’s the eraser of the quilting/sewing world and a quilters best friend.
Getting up at 3:30 in the morning sometimes has its advantages and disadvantages. Advantage: watching to episodes of The Quilt Show: one with Hollis Chatelain (1207) and the most recent one with Jeanie Sumrall-Ajero (1504). Hollis’s episode confirmed that I’d love to take a class with her somewhere, some day to see how she quilts. Jeanie’s episode just inspires me in part because I love Kaleidoscope Kreator 3 and all that can be done with it, and in part because I can see some changes in my own quilting across her quilts. While getting up at 3:30 is not my time of choice there’s a bonus: I’m inspired. And I can see a bit more clearly yesterdays quilt coming into focus. I have 3 quilts ready to baste. But first, off to work.
Have a great day,
There are a myriad of ways to stop and start when quilting. My preferred method is burying the thread. What usually happens is the thread snips end up on the floor around my feet. No big deal there’s a mat for my office chair so I swoop them up and off to the bin they go. Yesterday a fascinating thing happened. I started counting the stops and starts in one block for Quantum Leap.
Each block is 7.5 inches square.
Each block has a kaleidoscope block with 8 wedges, so the original motif is repeated 8 times forming the kaleidoscope.
Each block is embroidered with a seed or bead stitch to give the kaleidoscope shapes presence. Jeanie carefully chose thread to highlight the block.
What that means for me as I quilt around each of the major shapes is that I can have as little as 1 stop/start (2 sets of thread buried) and as many as 8 (16 sets of thread buried). Depending on the block, shapes, colors etc well let’s just say that jar doesn’t quite tell yesterdays stop/start/bury the thread story. I’d tossed that much away when Debby’s blog post reminded me I have these jars.
In the end all of the stop/starts will be worth it. In the meantime I’m reminded of how beautiful this quilt is.
I’m reminded why it’s important to have a sewing table at the appropriate height for my person. At 5′ tall the table the machine is sitting on is a wee bit high.
I’m off to do some blogging for the magazine and more quilting on this beauty.
If you’re going to be at Quilt Market stop by the Generation Q Magazine booth and say hello. I’ll be there most of the week.
but the quilting doesn’t matter
mmm well that’s not quite true: that the quilting is there is important for the overall look of the quilt
it’s important to quilt evenly across the surface for balance, design aesthetic
this block is heavily quilted – clearly but because I’ve used MonoPoly the quilting will not be prominent on the front of the quilt.
why? because what’s on the front of the quilt is something like this:
and the design here is the more important component than the quilting
Prolly before I go to Quilt Market I’ll have an exciting announcement.
Irritating isn’t it. That kind of teaser.
Yes, yes, I know. But it’ll be worth the wait!